Magnetic Song Lyrics

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I’m Ten years later. I’m totally obsessed with this movie . I Randomly searched for this soundtrack, wasn’t sure if there was one , found it , now I’m in love . Hand Covered Bruise is hypnotic.... I love this soundtrack ! Creative Geniuses

Here's the thing..... This album is a catch 22 for me.I see why they won the Oscar for this,the music fit the movie to the T (which is the job of a composer,to make fitting music for the film,and they pulled that off very well),and it sounds good! What I am wrestling with though is the fact that it doesn't seem like much work went into this. All it is is very simplistic repetitive synthesizers,analogs,etc. Ok so let's tally this up...1.most of the compositions are repetitive as can be (with a little build-up),2.It's all electronic (which is much easier than orchestral work),3.It took TWO guys to pull it off......this is stuff that LITERALLY I can do right here in my bedroom using Logic Pro 9,no joke.Then again that's what the movie called for I wouldn't have it any other way......but is it worth an Oscar? No not to me....not over Inception.

I just found this song too late. I love in motion

You Should Expect More...Especially if it managed to win an Oscar. As a person with strong musical interests, I listen to the music when I watch movies, and I regularly buy soundtracks. I watched The Social Network well after the Oscar ceremony. I was already fuming because Inception didn't win Best Original Score. As I watched the movie, I was struck by how techno-like the music was. I went to the iTunes store, and listened to the clips. It was a hard thing to do. First of all, the only track that is even remotely good is "Hand Covers Bruise". Then, the rest become very techno. I agree with the statement: "Glad you know how to work a computer." So they do. But what about the others? The other composers whose tracks had a unique feel to them and differed from each other is ways that showed creativity at its best? After a while, all of these tracks begin to sound boring and repetitive, like Reznor and Ross have run out of any new ideas, and are just trying to push this score past fifty minutes (and it runs past 66). The (minor) creativity only appears on the opening track. And to have this techno music coming from Trent Reznor and Atticus Ross, who have spent most of their careers working in bands with rock and techno music, there is no creativity at all. They've been doing it for most of their musical lives, and are doing what they know, not trying to do what they don't know (that's creative). If they wanted to try something original, then why not go for a more classical-like approach? Why It SHOULD NOT Have won that Oscar. a.) In 2008, Hans Zimmer and James Newton Howard (who are both stunning composers) were disqualified from the Oscar competition for "Best Original Score" because there were two composers instead of one. b.) This is strictly my opinion: There is no creativity in this techno-based score, especially coming from Reznor and Ross. c.) This score made use of a PREVIOUSLY PUBLISHED MATERIAL. "In The Hall Of The Mountain King" is not an original piece, and if reasons A and B aren't enough, then C should prove it. By Academy Rules, this score should be disqualified, because "Mountain King" was not an original work. (Edvard Grieg). Overall, this is probably one of the worst soundtracks ever written. It did not deserve the Academy Award--by Academy rules, as well. It was distracting in the movie, and I couldn't help but hope for the scenes where there was no music. To the person who mentioned that Hans Zimmer recycles scores like it's his job: No, he doesn't. Compare the intensity of Inception to "Science and Religon" in Angels And Demons. There is a remarkable difference. It is obvious that Hans Zimmer has diversity, and I'm saying that as a Zimmer fan, and as someone who composes music.

Hand Covers Bruise. I absolutely love 'Hand Covers Bruise'. This song belongs in the music databases of EVERYONE.

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