Suite for Unaccompanied Cello No. 1, BWV 1007: Prélude Song Lyrics

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Brilliant Album. Once again, Fleck is pushing the banjo past it's limits. The music on this album is absolutely genius; with the elaborate solo's, the banjo really shines. This album is worth your money, and probably a lot more than that.

Excellent. Truly a great album. Bela Fleck can really work those fingers! The iTunes review tells it all. With appearances from big classical names like Edgar Meyer, John Williams, and Evelyn Glennie, along with Nickel Creek's Chris Thile, this is certainly worth the buy!

Like Classical? You'll like this album.. Just because music from the era is called "classical" does not necessarily mean that it must remain within the bounds of the original sheet music. Beethoven's Moonlight Sonata (Track 16) is incredible when played on the keyboard like it was written, but is worse by no means when played on banjo and cello. If you enjoy these popular pieces in their original form and are not too much a snob to hate change, then you will not regret buying this album. You might even enjoy enjoy watching the funny looks on your friends' faces while they try to figure out what instruments they are listening to - and the look of surprise when they find out!

Enjoyable and thought-provoking interpretation of early classical music. This album really works because Fleck plays (for the most part) the work of early musicians like Bach and Scarlatti. Though these men wrote famous "piano" music, the piano as we know it did not exist at the time. Much of it was written for the harpsichord which has plucked strings like the banjo rather than struck strings like the contemporary piano. This makes Fleck's choices here much more resonant for lovers of classical music AND the banjo/bluegrass sound. My favorite pieces are the ones that are solo banjo or just plucked instruments. Bach's partita No. 3 is beautiful.

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