Trouble Song Lyrics

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Mess around. Great stuff at least mess around single, reminds me of Old CTE, funky and all. But can tell Dan's influence on a few singles. Stick to the funky, eclectic sound all the way through next time out. Its what makes CTE.

Thanks Shultz **Am I spelling right?**. Nice album, loved it!

❤️❤️❤️. This is my favorite Cage album ever, and it's the album that made me fall in love with the band!! I'm very sad that there's only 10 songs on it, but they're all amazing. I've been listening to this on repeat since it came out 😶

How Are You True?. CtE’s first record absolutely blew me away, but the second album left me stumped. Admittedly, I came around to eventually appreciate their new sound and rather enjoyed Melophobia, but I didn’t think I’d ever like an album as much as their first. That being said, I am thoroughly surprised with how much I enjoy this album. I’m shocked to say this but I may be a bigger fan of this album than I was their first. It’s a different sound, but not necessarily a wrong one. Great job guys.

Amazing! 👌🏻💯🔥🔥🔥. On their fourth album, Kentucky band Cage the Elephant refurbish mid-Sixties retro-rock with a 21st-century studio vividness – creating something akin to watching old footage of Sandy Koufax or Bill Russell in crisp hi-def with modern camera angles. Produced by the Black Keys' Dan Auerbach,Tell Me I'm Pretty evokes the Yardbirds, the Easybeats, the Hollies and the acne-scarred Nuggets bands that had one-hit fun ripping off those British Invasion bands, along with a dollop of "Crimson and Clover"-style avant-bubblegum wooziness. On the album-opening "Cry Baby," psychedelic fuzztones swirl and rush up like fresh lava, while songs like "Cold Cold Cold" and "Mess Around" scream with garage-soul heat and dirty crunch. But Cage the Elephant aren't trying to replicate the music they're honing in on – there's a big difference in tone and mood. Even at their most horndog angsty, those LBJ-era kids were bristling with wild enthusiasm; Cage singer Matt Shultz seems more jittery and frayed. The languid dream-folk standout "Trouble" sounds gorgeously burnt, with a vaguely hounded feel that evokes red eyes hidden behind mirror-shades. "Sweet Little Jeanie" is where the Beatles' "She's Leaving Home" meets a grisly, punked-up dead end ("We pinned your missing picture up on every mother loving post/How's it feel to be a ghost"), and the trouble-girl heroine in "Punchin' Bag" isn't just a neighborhood hottie with a rep, she's a horror show who "carries a knife." These guys aren't just reliving classic sounds, they're giving them a frantic sense of dread that's perfect for our own dislocated, paranoid times.

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