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Skeeps. Garbage…. Isn’t catchy and copies In the Heights

ABSOLUTELY AMAZING ⭐️🖤. Where to begin? Well I’ll say this: Hamilton is the best musical that has ever been written. I must admit I was a little skeptical first, but after you watch/listen to it, it will change your life!! I now know so much about Alexander Hamilton and I have so many questions about him! This musical truly is learning in disguise, and Lin-Manuel is so talented! (:

Hamilton’s biggest fan. Oh my god!when i listen to “my shot” in my head im going “DANG”. I love Miranda’s work. I’ve been working on my rapping

Great. I love it

LoVe. I love this album it always stays in my head and I have no problem with it lol, anything Lin works on is a masterpiece tho

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The freshest history lesson you will ever get. Great songs, amazing lyrics. Lin manuel Miranda is a genius!!!

Amazing. Like what how is it sooooo gooooooddddd

Amazing soundtrack. So glad the production I’d coming to Australia so sad it’s not the original cast but so things better than nothing

unique and compelling!. Such a unique and compelling way to tell a story. Not really interested in American history but the words, the beats, the rhythms suck you in and Make you interested in the story. So well written and performed! Highly recommended to everyone

A sweeping epic of incredible ambition. Listening to Hamilton for the first time rings all the same bells that gens X and Y will remember from the OBC of Rent. Though Rent has since gone on to age badly and has proven itself far less influential than first expected, Hamilton, now, feels like a definitive landmark and a shift in ambition for what a Broadway musical can be. Gloriously orchestrated, Hamilton meticulously fuses hip hop and rnb with music theatre and reveals that together these genres possess a skilful and haunting narrative edge. Combine this with the incendiary performances of Lin Manuel Miranda, Phillipa Soo, Leslie Odom Jnr and Jonathan Groff and you have a cast recording that quite simply ignites. Odom Jnr's performance as Aaron Burr is nothing short of revelatory - career defining, he's a dead cert for the 2016 Tony Awards. Groff expunges his irritating persona from Glee with a comic turn as George III of England that comes dangerously close to stealing the show. As the title character, writer/composer LMM's energy and passion are absolutely infectious. His performance is a warts and all representation of the American founding father that fits neatly into the ensemble even as it wars with Odom Jnr's Burr to overwhelm it. It's an electrifying dynamic that - if this recording is anything to go by - must be quite simply gargantuan on stage. The power of LMM as a lyricist is on full display here - overwhelming his two previous efforts. The spontaneity of the hip hop score brings an awesome power to the events on display of which their author is well aware. There are moments of shattering realism, incredible emotion, hilarity and violence - and all within a narrative that moves at breakneck pace. It's a spectacle on par with West Side Story that still retains the intellectual clarity of 1776 and the intimacy of Sunday in the Park with George. If Hamilton can be cited as having any obvious flaws, it's second Act is interminable. Following the two cabinet battles and the election of the Adams administration, the book hits a decided slump. LMM submits to biographical completism and the show slams on the breaks till the Hamilton-Burr duel in a way that has not translated well to the record. By the final curtain you can't help but be exhausted - but then half a century of unending American patriotism can have that effect on the most eager listener. Despite the underdog at the core of the story, and lyrics such as "immigrants - we get the job done," Hamilton is still over two hours of red, white and blue Americana. It does the show and its performers enormous credit that this retains its personal edge and fails at any point to become patronising. It says a great deal about the US today, and US politics, that a story of an 18th century political leader feels more suited to this modern (almost futuristic) score than any figure to have held high office in almost a century. The true genius of Hamilton is its call to action intensity of an America that inspired great deeds and found its heroes in the most unlikely places. Hamilton is a musical for the history books and its original Broadway cast recording already has a mythic quality to it. This is a show of which we are certain to hear a great deal more for a very long time.