Right Hand Man Song Lyrics

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THE BEST. At first i was like, “no way! this is gonna be trash” till my family turned it on, and it changed my life. SO GOOD.

Not what I was expecting [in a good way ofc!]. Yes, I am writing this at 10 at night. Why? Because I apparently have no regards for my mental well-being! Anyway, these are amazing songs. I was a bit skeptical when I first started listening. But when I listened to them all I noticed that something about it was different from other musicals. I don’t dislike any of the songs! Yes I do have some that I like more than others. But I don’t hate any of them! [I don’t think anybody cares but my faves are: Dear Theodosia, Satisfied, The Room Where It Happens, and Who Lives Who Dies Who Tells Your Story] Jonathan Groff did a great performance in his songs! [Youll Be Back, I Know Him, What Comes Next?] I recommend them to anybody who is interested in history and musicals. Even if you haven’t seen the actual show I still think these are worth listening to. Even though it would help to know the context behind them.

So awesome. Love the catchy music😝 Lots of compliments to Lin Manuel Miranda!!🎶🎼🎵🎤🎧🎸🥁🎹🎺🎻🎷🪗🪘🪕😂😂😂😂♥️♥️♥️

Grayston. I love the songs (with inappropriate words) like “SON OF MOTHER F***Ing DEMCRATIC REPUBLICANS!”

Beautiful 🤩. This is honestly one of the best albums out there my parents have finally let me see this peace of art on Disney+. Hopefully if Covid isn’t as big a deal next year we will be able to see it on broadway. 🎭 I listened to this album over and over again everyday for 4 months. My favorite has to be Burn, and Who lives, Who dies, Who tells your story! It is definitely worth the money!😍😍😍😍😍😍😍😍😍😍😍😍😊😊😊😊😊😊😊😊

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OH MY GOD THIS IS THE BEST. THIS SOOOOO GOOD TOU NEED TO GET THIS

Grate Music. I could listen to it all day and night, brilliant way to tell history, if only I could see the musical.

Amazing. Like what how is it sooooo gooooooddddd

Hamilton Original Broadway Cast Recording. I Will White Down My Christmas List This Year Too Get Hamilton Original Broadway Cast Recording Cd Because I Know Why For Reason I Have A Romantic Crush On Chloe Zuel From The Australian Cast Of Hamilton

A sweeping epic of incredible ambition. Listening to Hamilton for the first time rings all the same bells that gens X and Y will remember from the OBC of Rent. Though Rent has since gone on to age badly and has proven itself far less influential than first expected, Hamilton, now, feels like a definitive landmark and a shift in ambition for what a Broadway musical can be. Gloriously orchestrated, Hamilton meticulously fuses hip hop and rnb with music theatre and reveals that together these genres possess a skilful and haunting narrative edge. Combine this with the incendiary performances of Lin Manuel Miranda, Phillipa Soo, Leslie Odom Jnr and Jonathan Groff and you have a cast recording that quite simply ignites. Odom Jnr's performance as Aaron Burr is nothing short of revelatory - career defining, he's a dead cert for the 2016 Tony Awards. Groff expunges his irritating persona from Glee with a comic turn as George III of England that comes dangerously close to stealing the show. As the title character, writer/composer LMM's energy and passion are absolutely infectious. His performance is a warts and all representation of the American founding father that fits neatly into the ensemble even as it wars with Odom Jnr's Burr to overwhelm it. It's an electrifying dynamic that - if this recording is anything to go by - must be quite simply gargantuan on stage. The power of LMM as a lyricist is on full display here - overwhelming his two previous efforts. The spontaneity of the hip hop score brings an awesome power to the events on display of which their author is well aware. There are moments of shattering realism, incredible emotion, hilarity and violence - and all within a narrative that moves at breakneck pace. It's a spectacle on par with West Side Story that still retains the intellectual clarity of 1776 and the intimacy of Sunday in the Park with George. If Hamilton can be cited as having any obvious flaws, it's second Act is interminable. Following the two cabinet battles and the election of the Adams administration, the book hits a decided slump. LMM submits to biographical completism and the show slams on the breaks till the Hamilton-Burr duel in a way that has not translated well to the record. By the final curtain you can't help but be exhausted - but then half a century of unending American patriotism can have that effect on the most eager listener. Despite the underdog at the core of the story, and lyrics such as "immigrants - we get the job done," Hamilton is still over two hours of red, white and blue Americana. It does the show and its performers enormous credit that this retains its personal edge and fails at any point to become patronising. It says a great deal about the US today, and US politics, that a story of an 18th century political leader feels more suited to this modern (almost futuristic) score than any figure to have held high office in almost a century. The true genius of Hamilton is its call to action intensity of an America that inspired great deeds and found its heroes in the most unlikely places. Hamilton is a musical for the history books and its original Broadway cast recording already has a mythic quality to it. This is a show of which we are certain to hear a great deal more for a very long time.