What Comes Next? Song Lyrics

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Overrated. Yep

Holy crap. I am such a big fan of Hamilton & it is such a masterpiece and Lin-Manuel should be the proudest man in the world... he is Such an amazing artist and actor! How lucky we are to be alive. I wish Lin and phillipa got married they would be the cutest/best couple EVER!! Same with Lin and Jonathan (if Lin was queer 🏳️‍🌈🏳️‍🌈) This review is probably my most important review ever cuz it’s for the best soundtrack in history... I really want to see Hamilton on Broadway & I really want to meet Lin, phillipa, Jonathan,Anthony, Leslie, reneé, & jasmine and everybody else!!!! HAVE AN AMAZING DAY & I HOPE YOU ARE SAFE AND WELL WHEREVER U ARE IN THE UNIVERSE!! Black lives matter!

Very impressive!. It’s so impressive how one man wrote almost 60 songs! The actors work in the movie (I just watched the film version on Disney+ with the original cast) was flawless, and they did such a good job with Lin’s work.

THE BEST. At first i was like, “no way! this is gonna be trash” till my family turned it on, and it changed my life. SO GOOD.

Just…just buy it..it’s so so good. I swear I’ve listened to all of these songs so many times and I’ve watched musical ( on Disney+ ) like 20 times and I love it so I definitely needed this

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best purchase !. 100% love this musical so much. I'm always in the mood to listen to this musical, there's a number for every emotion!

pure brilliance. honestly if someone had told me a couple of weeks ago that i would be emotionally attached to american founding fathers, i would never have believed them but here i am. i'm a big musical theatre fan and i usually don't like hip-hop/rap but i absolutely adore this soundtrack!! lin-manuel miranda's hamilton is a work of art. he took an entire year to write one song to ensure that he got inside the head of a man who has been dead for over 200 years and who was extraordinarily intelligent. l-mm's female characters are properly developed; no token female characters and no one is merely a love interest. also the fact that the cast is diverse as heck is so effective. america then told by america now. i could go on but honestly, just listen to it.

Inspiring, insightful, and beautiful!. This is easily the best musical of this century! Since listening to it I have read every book I could get my hands on about Alexander Hamilton, and thanks to his story and Lin-Manuel's amazing musical I've taken the risk to start a new life following my dreams of being and actor and (so far) it's paying off! I just want to write this to say I can't thank everyone involved in making this enough. I'm a new man now, and I am not throwing away my shot!

Astonishing at every moment. Hamilton will grab your attention at the first song and hold you with its rhythms and melodies and phrases until the final note. I am blown away each time I hear it. Recommended without hesitation.

A sweeping epic of incredible ambition. Listening to Hamilton for the first time rings all the same bells that gens X and Y will remember from the OBC of Rent. Though Rent has since gone on to age badly and has proven itself far less influential than first expected, Hamilton, now, feels like a definitive landmark and a shift in ambition for what a Broadway musical can be. Gloriously orchestrated, Hamilton meticulously fuses hip hop and rnb with music theatre and reveals that together these genres possess a skilful and haunting narrative edge. Combine this with the incendiary performances of Lin Manuel Miranda, Phillipa Soo, Leslie Odom Jnr and Jonathan Groff and you have a cast recording that quite simply ignites. Odom Jnr's performance as Aaron Burr is nothing short of revelatory - career defining, he's a dead cert for the 2016 Tony Awards. Groff expunges his irritating persona from Glee with a comic turn as George III of England that comes dangerously close to stealing the show. As the title character, writer/composer LMM's energy and passion are absolutely infectious. His performance is a warts and all representation of the American founding father that fits neatly into the ensemble even as it wars with Odom Jnr's Burr to overwhelm it. It's an electrifying dynamic that - if this recording is anything to go by - must be quite simply gargantuan on stage. The power of LMM as a lyricist is on full display here - overwhelming his two previous efforts. The spontaneity of the hip hop score brings an awesome power to the events on display of which their author is well aware. There are moments of shattering realism, incredible emotion, hilarity and violence - and all within a narrative that moves at breakneck pace. It's a spectacle on par with West Side Story that still retains the intellectual clarity of 1776 and the intimacy of Sunday in the Park with George. If Hamilton can be cited as having any obvious flaws, it's second Act is interminable. Following the two cabinet battles and the election of the Adams administration, the book hits a decided slump. LMM submits to biographical completism and the show slams on the breaks till the Hamilton-Burr duel in a way that has not translated well to the record. By the final curtain you can't help but be exhausted - but then half a century of unending American patriotism can have that effect on the most eager listener. Despite the underdog at the core of the story, and lyrics such as "immigrants - we get the job done," Hamilton is still over two hours of red, white and blue Americana. It does the show and its performers enormous credit that this retains its personal edge and fails at any point to become patronising. It says a great deal about the US today, and US politics, that a story of an 18th century political leader feels more suited to this modern (almost futuristic) score than any figure to have held high office in almost a century. The true genius of Hamilton is its call to action intensity of an America that inspired great deeds and found its heroes in the most unlikely places. Hamilton is a musical for the history books and its original Broadway cast recording already has a mythic quality to it. This is a show of which we are certain to hear a great deal more for a very long time.