The Slow Rush by Tame Impala

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Tame Impala. this album really isn’t my cup of tea most of the songs are to long

What A Discovery!. Thanks to the brilliant Lost In Yesterday, Tame Impala have become a new favourite. Kevin Parker and them deserve more recognition. 👍👍👍

One more year. 👌🔥🔥🔥

Buy it !!!. Some bands have just got that extra expanse of magic😋🎸🎶🎵

Tame Impala The Slow Rush. Fabulous! Just fabulous. Worth the wait.

Kevin is what we need right now. Thanks for being alive.

Amazing. Kevin Parker once again proves that he is a musical genuis by developing his sound even further by combining the styles of Currents and Lonerism whilst building on them even more. Brilliant.

Sorcery.. Five years is the time between 'The Slow Rush' and stunning 2015 ‘Currents' album; which after two albums before the aforementioned led to making Kevin Parker a lyrical, sound and production powerhouse. His work influenced a multitude of artists and his production skills were heavily lauded and coveted. On album four Parker still retains his Bee Gee-esque vocals as the addition to his plethora of hip-hop, electronic, psychedelic, funk, dance and soulful melodies. This is his most popish album to date, at a running length of 57 minutes that spends more time wandering in and around through a labyrinth of synths and diffused soft-rock. It feels like one hour-long song or soundtrack that never really stops. Parker also has a unique way of making you lose yourself in a song so delicately and deeply that he then throws in a myriad of unique changes into those tracks as an anchor, makes you remember where you are, leading back on course after a short detour. The name of the album is apt - a slow rush; just enjoy what happens, go with the flow and any other description that you find pertinent. There’s a meticulous nature of the obsessive with Parker and it shows here more than any other album - Parker works with a range of musicians but this is entirely his baby. His credits are printed firmly with the line “All music written, performed, and mixed by Kevin Parker.” He divides the album into almost environmental tones, with elements that sound very cityscape, some underground, and some sounding like beach summery fun. This is one of the most complex albums made, finely crafted cogs in a massive arrangement to form the entire cohesive sound. This body of work also allows Parker to stretch himself more, whether being held back creatively or the ambivalence of another album, he used that hesitation and twisted it and exposed it like a nerve. Choosing to exercising vexations; using his unease as he stated in an NME interview: “Even with this album, I was doing things that made me uncomfortable just for the purpose of being creative because I’m the most creative when I’m uncomfortable.” The amount of focus is intrinsic to this album more than at any time before, too much and you get lost in it all, if that is your goal, too little and you wish for something more. It feels like a warm fireplace that radiates heat and light but also snaps and crackles and makes unusual noises that arrest your eyes and ears. In so far as being music for moods it’s right up there as one of the best, this is Pop and Psychedelic genre twisting sorcery to its finest.

Kevin Parker is a sonic Jesus. This album bangs! There’s dirty synths, shimmering synths and echoey drums and tight drums and the coolest melodies you ever heard!

Dull... ..dull. Nothing to see or hear here that hasn't been done so much better before. Total wallpaper Muzak

A journey. 🔥 🔥

Lame Impala. Dreary stuff. This is the stop where I get off the TI train